The First Assassin

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Book Description: Winter 1861: the United States teeters on the brink of civil war. In Washington, D.C., Colonel Charles P. Rook is tapped to organize the district’s security and to protect president-elect Abraham Lincoln from the death threats pouring in to the White House. He surrounds the president with bodyguards and fills the city’s rooftops with sharpshooters, diligently investigating the conspiracies being fomented with increasing intensity by Southern secessionists. Yet amidst the chaos and confusion, a foreigner slips unnoticed into the teeming city. Hired by a wealthy Southern planter to eliminate President Lincoln and destroy the Union once and for all, the assassin catches Rook’s attention by cutting down anyone who gets in his way. As the bodies begin to pile up, Rook realizes he is caught in a dangerous game of cat-and-mouse with a cold-blooded killer who will stop at nothing to complete his mission. Rook’s only hope is Portia, a runaway slave who holds the key to the assassin’s identity—if she can stay alive long enough to deliver it. Packed with dynamic characters, rich period detail, and a chillingly sinister villain, The First Assassin is a riveting thriller for fans of historical fiction. Amazon Exclusive: A Q&A with John J. Miller Question: What initially inspired you to write The First Assassin? John J. Miller: I’m a fan of thrillers and wanted to try to write one. The backdrop of Washington, D.C. in 1861, just as the Civil War was getting underway, seemed like an excellent setting for the right kind of plot. Once I had the idea for a story about a mysterious hitman who tries to murder Abraham Lincoln at the start of his presidency, The First Assassin became a book that I was determined to write. Question: What other authors or books have influenced your writing? John J. Miller: Frederick Forsyth. Among thriller writers, he’s the king. I’m also an admirer of Robert Harris, Ken Follett, Charles McCarry, Philip Kerr, Dan Simmons, Bernard Cornwell, and many others. This could be a long list. Question: Your fellow author Robert Ferrigno has proclaimed that "there’s not a false note in the whole book." What kind of research did you do ensure historical accuracy in your historical novel? John J. Miller: I’m a Civil War buff who grew up reading my fellow Michigan native Bruce Catton as well as many other historians. That experience provided a lot of background knowledge that’s just warehoused in my head. To write The First Assassin, however, I had to learn a lot of specifics. I made regular treks to the Library of Congress which, for many years, was right across the street from my office. What did the White House look like in 1861? Where was Washington’s seediest neighborhood? How did ordinary people respond to the fall of Fort Sumter? There are answers to all of these questions and I tracked them down in half-forgotten books and old newspapers on microfilm. My goal was to tell an exciting story that’s fictional--but one that also feels authentic, true to its time and place. Question: Is there a character in the book you most identify with or admire? Why? John J. Miller: I like Colonel Rook, the main protagonist. He’s charged with presidential security. He’s a Union man but not a Lincoln man--he didn’t vote for Abe and has some questions about whether this prairie lawyer is the leader America needs at its moment of crisis. He also knows his duty and he’s willing to risk insubordination to perform it. Question: You’re also a respected nonfiction writer. What prompted your foray into fiction? John J. Miller: I’m a fan of the form--an old English major who secretly wanted to write an entertaining thriller, even as I was trying to build a career as a journalist. When the idea of The First Assassin came to me, I couldn’t resist. Question: How does this book compare to your previous books? John J. Miller: The obvious difference is that it’s fiction. But there’s an important similarity as well: it dives into American history and tries to bring the past to life. Question: In your "day job" you write for the Wall Street Journal and National Review. Have you always wanted to write? What other careers have you pursued? John J. Miller: I think so. I certainly enjoyed it as a kid. I worked on newspapers in high school and college. Several potential career paths have presented themselves to me, but I’ve always come back to writing. A few years ago, I spoke about the writing life at a middle school career day--and then turned my remarks into a short article. Question: What's next for you? John J. Miller: My next book is a return to nonfiction. The Big Scrum: How Theodore Roosevelt Saved Football is scheduled for publication in 2011. Beyond that, I have an idea for a sequel to The First Assassin--a stand-alone story that will take several of the characters deeper into the Civil War.

*Starred Review* It’s America 1861, and the slave states are jubilant. Fort Sumter has fallen. The new president—the guy in the stovepipe hat—has slunk into Washington at night, like the craven thing they know he is. If the slaveholders assassinate this “Black Republican,” they’ll have their own country. Langston Bennett, a Charleston plantation owner, is a gentleman until he’s crossed. That’s when he sets up the murder-for-hire scheme that drives this historical thriller. The elements interconnect with watchmaker intricacy: the psycho killer, all animal cunning; the exhausted member of the White House detail who can’t convince anyone of the danger; the beautiful woman, all money and magnolia accent, who can’t be trusted; the brave, battered, escaped slave who holds the key and must get to D.C. in time. Comparisons to The Day of the Jackal are inevitable, and the author plays along, naming one character Charles Calthrop. (Remember ChaCal in Forsyth’s novel?) The plot cascades along as if running on tracks, which thriller fans won’t mind at all. History buffs, the other half of the target audience, can still learn things, like the meaning of “grave dust.” A great ride, especially for those who enjoyed Dara Horn’s All Other Nights (2009). --Don Crinklaw


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